Signed in as:
filler@godaddy.com
“For you are power,
Your radiance infectious.
Womxn of virtue and resilience
Greatness is your revolution,
Courage your ally.
Your heroism prevails.
For you are Black, resolute
And unapologetically so.
You are excellence.
Excellent is yours.
'An Ode to Hxr Excellence' is an unabashed celebration of Black womxnism and reimagining power structures, building on a photographic visual archive.
Primarily, the series subverts images of white male hegemony, most notably mocking the notorious Bullingdon Club, an epitome of quintessential British misogyny and elitism. Portraying students from the School of Oriental and African Studies (SOAS), a university which debatably positions itself as an antithesis to Oxford stereotypes, An Ode to Hxr Excellence visually satirises power structures and gives agency to Black womxn’s voices and bodies whom are too often subjugated and objectified. The chosen location of The British Museum, a monument of Britain’s loot and imperial legacy, stimulates a harsh juxtaposition and call for decolonized reimaginings of physical and non-physical structures of power.
In addition, An Ode to Hxr Excellence is a feminist revision of mainstream representations of the Black Panther Party (BPP). Misinterpretations of the iconic movement predominantly champion and hero the Black men, keeping the works of many womxn revolutionaries in the shadows of patriarchal frameworks. As history reveals, not only for the BPP, but also in liberation struggles throughout Africa, Black womxn have inadequately been credited despite their integral and central roles in these movements.
It is a visual archive of Black womxnist excellence, (re)valuing and celebrating everyday forms of resistance in historic and contemporary spaces. Ultimately, this series seeks to inspire and honour womxn of colour. It is solidarity in the celebration Black girl magic as a form of decolonising institutions that historically erased and commodified their individualities and achievements.
Creative Direction: Tobi Onabolu
Photography: Ethel-Ruth Tawe
Words: Both
Selected Press
